
When Arcade Fire released their debut album "Funeral" in 2004, music critics generated some of their best hype in years.

E! Online called "Funeral", "An emotionally wracked masterpiece, drawing on immaculate influences like the Pixies and Talking Heads while sounding distinctly original."
"Rolling Stone" raved, "Funeral aches with elegiac intensity. "
Blender said the album, "...reveals added nuance with every listen," while DotMusic gushed, “'Funeral' is the sort of perfectly-realised record you’d hope from a band at the top of their game. For a debut release it’s unmatched in recent years."
No less vaunted a source than "No Ripcord" rhapsodized, "Not only are the songs uniformly excellent, they also show a mastery of the art of controlled dynamics, of tension and release, that most young bands ignore to pursue the catharsis of sustained intensity."
So when Arcade Fire released the album "Neon Bible," it was only natural to wonder whether the critics would suffer a sophomore slump. After three years, could the hype possibly live up to the hype? In a business where meaningless encomiums so often degenerate into substantive critiques, critics stepped up and delivered a laudatory jack session normally reserved exclusively for Clive Owen performances.

The Onion jizzed, "Through Neon Bible, the band is seemingly sending a beacon to other reasonable people forced underground by the world's insanity. It's almost like a musical version of Ayn Rand's Atlas Shrugged."
Hot Press pompously adjusted their monocle and wrote, "So, Funeral was by no means a fluke. The Arcade Fire are unquestionably the real deal. And to prove it they’ve now thrown in another contender for ‘best record of the decade’."
No less vaunted a source than "No Ripcord" rhapsodized, "The music is beautiful, spiritual, intense, fun and, as Lester Bangs once called the Clash, righteous."
Trouser Press spunked, "A rewarding, resonant album, Neon Bible ranks among the best indie rock recordings of all time," and even the normally staid Boston Globe wanked, "Not quite of this world and not quite over the edge, these earthy, epic songs aren't meant to save us, only to supply some monumental crescendos and a wide-screen view on the way down."
So buy "Neon Bible," and find out why everyone is so in love with themselves.